Tag - The Funk Hunters

Hulaween Announces 2019 Phase 1 Lineup

Hulaween 2019 Phase 1

After surviving some financial troubles in 2018, including the bankruptcy of Silver Wrapper Productions (the original producer of Hulaween), Hulaween is due to return to the Spirit of the Suwannee Music Park in Live Oak, Florida this October 24-27, 2019. The 4-day event has announced their phase 1 lineup, including artists like The String Cheese Incident, Bassnectar, Anderson .Paak, Jason Isbell, Big Wild, Flying Lotus, Greensky Bluegrass, Jai Wolf, STS9, Umphrey’s McGee, Manic Focus, The Funk Hunters, CloZee, and many more.

A variety of ticket options, including 3 and 4 day General Admission, VIP, RV, and car camping are all available from the ticketing website.

Shaky Beats Drops 2019 Daily Lineup

Shaky Beats 2019 Lineup

Atlanta-based dance music festival, Shaky Beats, has dropped its 2019 daily lineup. The festival, which takes place May 10-11 in Atlanta Central Park, includes a Friday host of RÜFÜS DU SOL, Big Gigantic, San Holo, What So Not, Snakehips, Lane 8, Boogie T, Solardo, SNBRN, Dombresky, Moon Boots, Whipped Cream, GG Magree, Dirt Monkey, Win + Woo, Paz, Mantis, Eddie Gold, and Movin’ Keyz. Saturday, the festival will see the likes of Martin Garrix, Galantis, Fisher, Gryffin, Chris Lake, Big Wild, Ekali, Party Favor, CloZee, Vanic, Squnto, Ducky, Cray, Slumberjack, Midnight Kids, Zeke Beats, Xie, PLS&TY, The Funk Hunters, DJ Zoe Gray, and Airwolf.

GA, GA+, VIP, and Single Day tickets are available from the Shaky Beats ticketing website, with prices ranging from $95-412, depending on options. Additional festival information can be found on the Shaky Beats information page.

Shambhala Releases 2018 Lineup

Shambhala 2018 Lineup

The 21st annual Shambhala Music Festival returns to Salmo River Ranch in British Columbia, Canada this August 10-13, 2018. This year’s lineup features an extensive and eclectic mix of music, featuring artists like Adventure Club, Brasstracks, Buku, Feed Me, Gramatik, Joker, The Funk Hunters, The Glitch Mob, and many more.

Shambhala is a four-day camping festival held in the woods of British Columbia, with a unique set of artistic stages and backdrops like The Amphitheater, Fractal Forest, The Grove, The Living Room, The Pagoda, and The Village. Shambhala is a 19+ alcohol-free festival, choosing instead to focus on the extensive selection of music and art available.

General Admission tickets are currently on sale for $420 CAD (not including taxes and fees), which includes basic tent camping. Additionally, there are a variety of early entry options available, ranging from $50-$150 CAD (not including taxes and fees). Early entry passes must be purchased at the festival. However, patrons that purchase any of the ShambhaLodging packages will receive complimentary early entry for two guests.

Disco Inferno Heats Up Imagine Music Festival

Imagine 2017 - Nora En Pure performs at Disco Inferno

Last month, Imagine Music Festival took over the Atlanta Motor Speedway in Hampton, GA, just outside of Atlanta, September 22-24, 2017. We gave a brief overview of the Imagine experience, which is hosted by IRIS Presents, Inc., the Atlanta-based dance music events and promotion company. This week, we dive deeper into the production and design of Imagine Music Festival, highlighting the iconic Disco Inferno Stage, a pyrotechnic work of art designed and built by the Incendia production team and their collaborators, led by Cory and Tyler Glenn.

Based out of Atlanta, Incendia has been heating things up lately on a national level as they utilize their artistic stage production talents at festivals across the country. The two brothers got their start in the Burning Man scene, where Cory frequently built art projects for regional Burns. After stumbling across the fire inversion technology that they now use in their stage designs and realizing they had a product that could appeal to a wide audience, they took it to the music festival scene, contributing to Imagine Music Festival from Day One. Tyler got an early start in the music business, running a club in Athens, GA at the ripe age of 20. It was this background in music business that gave him the opportunity to get involved with IRIS Presents just over four years ago, when he served as a talent buyer for the first year of Imagine, while also assisting the directors. While Tyler was focused on the music business, Cory was more involved in the artistic side of things. Together, they pulled Incendia into the first year of Imagine Music Festival, where they served a smaller role at the Historic Fourth Ward Park, Imagine’s original venue location. The first two years that Imagine was held at the Fourth Ward Park, Incendia setup misting systems for daytime cooling and fire lounges at night.

The lounges still make an appearance these days at Imagine, however, they are a small part of Incendia’s larger production. In 2016, Imagine moved to its current location, the Atlanta Motor Speedway, giving them a lot more area to work with. Disco Inferno made its first appearance at Imagine in 2016 and built upon its success this 2017. The 2017 stage featured a main half-dome decorated like a disco ball, where the DJs would perform from, as well as two small domes on either side of the stage. Each dome and the trusses above them sported various propane cannons for the pyrotechnic effects. In addition to the flames, the stage featured some more traditional productions like huge sound systems, LED walls, and other various lighting effects. The crew of 24 spent five days building the entire Disco Inferno Stage, working about 16-18 hours per day. It took about three days to break the stage down after the conclusion of Imagine. Of the 24, Cory’s team of about a dozen worked specifically on building the domes and pyrotechnic effects, as part of Incendia’s contribution.

Before the festival kicks off, the Incendia team goes through their safety check. Cory likens the detail and process to the pre-flight check that pilots conduct prior to flying an airplane. “We adjust everything to conform to all applicable standards. We do extensive system checks every day. We check for leaks. … We go around, we check the functionality of everything, make sure everything is dialed in correctly.” They do skin temperature readings with a laser thermometer to ensure that the pressure of the propane system is appropriately adjusted to the radius of the crowd. Once everything checks out, the crowd fills in and the flames start flying!

Imagine 2017 - The Funk Hunters perform at Disco Inferno

The Funk Hunters performing at the Disco Inferno Stage – Photo by Phil MacDonald

All of the fire controls are analogue. Cory expands: “We have like an arcade-style button box with different buttons representing different effects. We’ll sit there and try to anticipate the flow of the music,” adding that “it’s kind of crowd interactive as well; we can bring in friends, or other people in the industry … to play with the buttons and have fun with it.” There are a number of effects they can use, based on the build of the stage, but at Imagine this year, the main propane cannon behind the stage could shoot flames as high as about 100 feet in the air, a rough estimate, as Cory adds: “I’m not up there with a measuring tape, I like my eyebrows where they are.”

Imagine 2017 - The Funk Hunters perform at Disco Inferno

Flames go off at the Disco Inferno Stage as The Funk Hunters Perform – Photo by Phil MacDonald

Long before the festival starts, let alone is even built, Cory and Tyler plan the setup of Disco Inferno. Cory covers the pyrotechnic aspect of the build, while Tyler designs the stage and coordinates the logistics of LED walls, audio, truss towers, and crafting a budget.

When picking a stage location, Cory and his team have to be a little particular, as they have to take into consideration “flatness and proximity of flammable material.” The area must be flat for two reasons: 1) the dome structures they utilize do not have adjustable legs like many traditional stages do and 2) the inversion fuelings must remain flat to operate correctly.

Meanwhile, Tyler details his preparation, which includes a general high-level goal for him: “I really like to create a little bit more of the environment, a little bit more of an immersive experience.” He adds that a lot of bigger festivals tend to have two-dimensional stages. When he’s in charge of a stage, Tyler tries to “design something where people feel a little more comfortable,” so that that the attendants don’t “feel like they’re out and exposed in the middle of nowhere.” Tyler expands: “What I strive for is taking that out of there and getting people more of a space to feel surrounded and feel comfortable and therefore have a better overall experience.”

His process starts by creating a rough design in 3D format using Google SketchUp. His design is pretty close to the final product, but Tyler notes that his expertise only goes “so far in the realm of sound, video, lighting, and fire,” so he works with other people that specialize in those fields. Using Google SketchUp allows him to easily pass his 3D designs off to his specialists, as the SketchUp files are natively supported by Vectorworks, an industry standard product for stage design.

Imagine 2017 - Disco Inferno at Sunset

Sunset over the Disco Inferno Stage during Chris Lake’s set – Photo by Phil MacDonald

Tyler is able to bring his stage designs to life with the help of his industry specialists and collaborators: 4Life Entertainment provided lighting and video equipment and installation, while Liquid Lux Light Design and Adam Gray Lighting provided lighting design services, and Rhizome NYC took care of visuals. Meanwhile, Music Matters, a local audio company, provided the sound system for Disco Inferno, which included an array of Meyer Leopard speakers. He notes that this specific system was deliberately chosen for Disco Inferno due to its ability to project at a wide range. Tyler and his team wanted to make sure that, given the relatively large width and shallow depth of the stage, attendants would get the full range of audio frequencies regardless of where they were standing.

In addition to the main half-dome disco ball at the center of the layout were two truss systems that extended like wings on either side of the center stage, each hanging an array of speaker stacks and LED walls in ascending height. Further beyond the truss systems were two smaller pyro domes on either side of the stages—the smaller lounge-style setups that Incendia utilizes to fill smaller areas. The lounges feature misting systems during the day and flames at night. Two additional truss systems stood at the back of the dance floor, sporting additional lighting. The whole layout extends almost entirely 360 degrees around the dance floor, so that regardless of where attendants stand, they are able to look in any direction and feel immersed. The back lighting area served as the border of the Disco Infero dance floor, which featured live-painting on the first night from local artists, like Danny Sanzone, giving fans the opportunity to pull back from the main action, but still feel involved. The 360-degree layout was the brain-child of Tyler’s careful crafting and execution by his production team.

In spite of all of the planning, Disco Inferno did run into some issues this year. On night one of the event, the Disco Inferno Stage hosted a slew of bass and funk artists with a lineup that included Andy Bruh, Daily Bread, Squnto, Esseks, Yheti, Buku, ill.Gates, The Funk Hunters, Bleep Bloop, and Minnesota. It was then when issues with Disco Inferno’s power source became apparent. The stage briefly lost power several times on the first night, until the main generator was eventually swapped out with a backup one provided by the power production manager. It was later determined that the first generator had an issue with a loose cable connected to the engine control unit. Regarding the power issues, Tyler commented on the effect that Hurricane Irma, which made US landfall on September 10, had on Imagine:

“Being that we were just at the tail end of the hurricane coming through, our whole generator order that we already had in place got switched up, because everything gets dedicated down to disaster relief. As it should. So it was a little bit of a scramble there at the end to locate the power sources and everything like that. Thankfully, it was executed properly, and we did have a backup there to take care of that.”

Once Disco Inferno got the backup generator rolling, the rest of the weekend went off without issue. After the bass-heavy first night at Disco Inferno, things changed tempo, as nights two and three exhibited more House and Techno artists. Night 2 had performances from Alex Lucas, Ariel, Chris Lake, Nora En Pure, Claptone, and Gorgon City. Night 3 was dominated by the Dirtybird Players Stage. After a performance from Atlanta local, Wiggle Factor, Dirtybird artists took over the remainder of the night. Ciszak, Dateless, Will Clarke, Shiba San, and Claude VonStroke performed throughout the night at Disco Inferno, with Claude VonStroke closing out the festival. The Glenn brothers are both quick to point out that putting together something like Disco Inferno takes a lot of coordination from a large group of talented people. Tyler points to the serious focus from all of the individuals, “it was a very large group of friends that came together” to make the stage happen. Adding, “it wasn’t a whole bunch of hired help. Everybody that was a part of it was a part of it from the get-go and all the way through. We’re all part of a larger group of friends making an idea happen.”

The culmination of Disco Inferno 2017 was especially exciting for Tyler Glenn, as he got engaged at Imagine on Night 2. On Night 3, Glenn Goodhand, owner of Imagine and IRIS, gave a congratulatory shout out to Tyler during the closing ceremony of Imagine Music Festival, at Cory’s request. The two brothers plan to continue building Incendia and Disco Inferno, as Tyler notes, the goal is always “bigger, better, and larger.”

Editor’s Note: In 2017, even weeks after Hurricane Irma made landfall in the US, Imagine still felt the effects of the storm. Through the American Red Cross, they setup a donation campaign for the Hurricane Irma relief effort. In addition to Hurricane Irma, during the festival weekend, Puerto Rico was devastated by Hurricane Maria, the strongest hurricane to make landfall in Puerto Rico since 1928. 3.4 million US Citizens were left without power and water, and limited access to food, gasoline, and other basic life necessities. It will take months to rebuild after the damage of Hurricane Maria. If you are interested in contributing to the relief effort in Puerto Rico, check this list of trusted organizations offering aid to Puerto Rico.

Finding Euphoria 2017

Alesso at Euphoria 2017

Earlier this month, about 50,000 music enthusiasts gathered at Carson Creek Ranch for the 6th annual Euphoria Music Festival, held from April 6-9, 2017. Tucked away along the Colorado River and on the outskirts of Austin, this year’s event included a diverse lineup of live music, DJs, and hip-hop artists, including artists like Alesso, Chromeo, Zeds Dead, Pretty Lights Live, The Floozies, Oliver Heldens, Moby, Papadosio, Yotto, Wiz Khalifa, and a slew of other musical talent. In addition to the music, Euphoria continued its successful Ecophoria initiative: a comprehensive program that aims to preserve Carson Creek Ranch and its surroundings. The Ecophoria initiative tackles some of the issues that affect music festivals by setting up donation bins drop-offs (to keep campers from leaving unwanted items behind), encouraging carpooling and recycling, setting up water stations for filling up reusable containers, employing a Green Team to manage waste and encourage mindful participation, organizing river cleanups, and more.

With the venue being so close to Austin, one might wonder how Euphoria could serve as a traditional escape from the mundane and normal life that many attendants tend to look for in a music festival, but upon arriving at Carson Creek Ranch, all doubts would be washed away upon seeing the musical sanctuary that hosts Euphoria. The festival features three stages, the largest of which is aptly named Euphoria, sporting pyrotechnics, fireworks, and a traditional array of lights and lasers to complement the musical performances. Due to unfortunate circumstances with flights, The Knocks were left grounded in Atlanta, with The Disco Biscuits filling in on Friday. In addition to the two sets of The Disco Biscuits, Pretty Lights Live closed out the main stage on Friday, putting on a display of live music, lights, and lasers—a relaxed way to kick-off an eventful weekend.

Pretty Lights Euphoria 2017

Pretty Lights closing out the main stage Friday night at Euphoria 2017

The weekend kicked it up a notch at the main stage on Saturday evening. Poolside put on a show that was naturally appropriate for an early pool party vibe. Towards the end of their set, the percussionist jumped out into the crowd to join the dancing fans and to preach a message of love and friendship. Artists Bakermat and Bob Moses continued the trend of live instruments mixed together with DJing as Bakermat incorporated a live saxophonist, while Bob Moses performed with a live guitar, drums, and keyboard. The tempo increased later in the night as Oliver Heldens and Alesso played the last two dance-heavy sets of the main stage. Meanwhile, Chromeo’s Sunday performance felt retro with their Nu Disco style.

The Elements Stage displays a large colored cutout of a coyote’s head, with lights projecting onto the cutout, and illuminated eyes that scan the crowds at night—watchful eyes overlooking the dancing madness of the weekend. Friday night, Chet Porter put on a sunset performance, which was followed up by heavier acts like SPAG HEDDY, Minnesota, Mija, and Knife Party. Saturday night saw a mixture of dance music like CID and Alan Walker, mixed in with some hip-hop and rap like Post Malone and Young Thug. Sunday’s Elements Stage worked its way through some crunchier sounds, with artists like BREDE, The Widdler, and ill-esha, giving way to more dance-centric artists like The Funk Hunters, Lost Kings, and the legendary Moby. Zeds Dead closed out the main stage Sunday night with a grimey dubstep set that had the whole crowd going wild.

Zeds Dead Euphoria @017

Z’s up for Zeds Dead, closing out the Elements Stage on the last night of Euphoria 2017

The Dragonfly Stage sits adjacent to the Colorado River, with crowds facing the river. At night, projected lights bounce around the amphitheater and onto the river behind the stage, setting the tone for an immersive musical experience. FKJ (short for French Kiwi Juice) took full advantage of the Dragonfly ambience, getting the whole place groovy on Friday night. Meanwhile, Prince Fox incorporated his signature style of remixing old pop tracks into contemporary dance tunes. Later in the night, Yotto took the crowd on a musical journey through trance and house music.

Yotto at Euphoria 2017

Yotto at the Dragonfly Stage at Euphoria 2017

With a weekend full of musical diversity, taking place on sprawling fields and along the Colorado River, we found our euphoria at Euphoria Music Festival. Did you find yours?

Euphoria Music Festival 2017 Artist Preview

Euphoria Music Festival 2017

Euphoria Music Festival takes place in just over a week at Carson Creek Ranch, outside of Austin, Texas, April 6-9, 2017. If you haven’t purchased tickets yet, a variety of options are still available. As you gear up for Euphoria, take a look at our list of artists we’re excited to see.


Moby is widely considered one of the most important and influential figures in dance music of the 1990s. He helped bring dance music to the mainstream in the UK and in the United States. His appearances at music festivals are relatively sparse these days, so we’re particularly excited to see this veteran perform Sunday at Euphoria.


FKJ, short for French Kiwi Juice, unsurprisingly hails from France. His signature funky and mellow sound gets the crowds groovin’, especially in a live environment. His smooth style will leave you wondering at the end of the show where all the time went. FKJ will be performing Friday.

The Funk Hunters

This duo from Vancouver have a dynamic style, capable of mixing and producing heavier styles of bass and glitch, as well as sounds reminiscent of funk and soul. Their versatility should make for a great performance on Sunday at Euphoria.

The Widdler

Alright dubheads, this one is for you. The Widdler is known for his slow and methodic low frequency sub bass. His style is much more reminiscent of UK Dubstep from the mid-2000s. If you like low frequency bass vibrating through your body, you won’t want to miss The Widdler on Sunday at Euphoria.


This disco duo aptly hail from Los Angeles, which you might have guessed based on their style of music, which they label on Soundcloud as “Daytime Disco.” Check them out on Saturday for a feel-good disco-dancing session.

Full Lineup