Lost Lands returns to Legend Valley in Thornville, Ohio this September 14-16, 2018, with another heavy-hitting Dubstep and Bass extravaganza, featuring 1,000,000 watts of bass, dinosaurs galore, and an initial lineup featuring headliners of Excision (performances all weekend long), Flux Pavilion, Ganja White Night, Illenium, Jauz, Nero, NGHTMRE, Rezz, Rusko, Slander, Snails, and Zomboy, as well a slew of other bass-heavy artists. A variety of ticket packages are currently available, with Tier 4 GA tickets selling for $199 (plus $49.72 in fees) and VIP selling for $324 (plus $74.71 in fees).
NEW ORLEANS, LA (January 17, 2018) – BUKU Music + Art Project today announced the final additions to the lineup for the annual festival, taking place on March 9-10, 2018 at Mardi Gras World in downtown New Orleans. Set across five unique stages, including the backdrop of an abandoned early 20th Century power plant and a warehouse featuring the city’s iconic Mardi Gras floats, the two-day event fuses a progressive and diverse musical lineup with live street art, custom-made industrial art installations and dozens of surprise “pop-up” performances. The Buku Music + Art Project is an 18+ event.
Artists joining the roster include: chart-topping Philly rapper Lil Uzi Vert; electronic producer Illenium bringing his full “Awake” production for a special live show; Montreal DJ and “vomit-step” pioneer Snails; Florida rapper and mixtape master Ski Mask The Slump God; Chicago rapper and poet Noname; synth-pop / R&B project Homeshake; Dirtybird house duo Walker & Royce; a B2B set from New Orleans DJs Nice Rack and Rusty Lazer; and exclusive VIP performances, hosted by Brownies & Lemonade and Space Yacht, featuring DROELOE, Melvv, Suicideyear, and a B2B set from electronic artists Eprom and Mad Zach; as well as a showcase curated by acclaimed local artist collective Pink Room Project.
The talent will join a previously announced lineup including: Bassnectar, Migos, MGMT, SZA, the U.S. festival debut of Porter Robinson’s project Virtual Self, A Day To Remember, Isaiah Rashad, Alison Wonderland, Rezz, Borgore, Sylvan Esso, Flatbush Zombies, Bonobo (DJ), Mura Masa, Ganja White Night + Boogie T, Little Dragon, Green Velvet and Jay Electronica to name a few. The complete list of performers can be found at http://thebukuproject.com/2018-lineup/.
A variety of ticket offerings and travel packages are currently available at www.thebukuproject.com/tickets. When purchasing tickets patrons should be mindful that BUKU is an 18+ event.
For additional information and to sign up to be the first to receive updates, including lineup + after-party announcements, ticketing, special offers and more, visit BUKU Music + Art Project on the following platforms: Web, Facebook, Twitter, Instagram, and Snapchat.
The 2018 BUKU Music + Art Project is presented by Winter Circle Productions, an AEG Presents company.
About Winter Circle Productions: Winter Circle Productions began in 2009 as an independent promotion and production house to attract music that its founders felt was missing from a post-Katrina New Orleans. Creator of Buku Music + Art Project and three-time recipient of the Offbeat Best Promoter Award, WCP is now positioned as one of the most trusted tastemakers on the Gulf Coast, having produced hundreds of shows across many musical genres in dozens of venues. In July 2015, WCP joined AEG Presents to form and run AEG Presents’ new Gulf Coast regional office. Notable developments for WCP in 2017 include taking over a lease at the 1,200 capacity Joy Theater in New Orleans and contracting with Day For Night in Houston to associate produce the festival. In addition to concert production, the members of WCP founded the Upbeat Academy Foundation, a non-profit organization providing New Orleans youth with opportunities to study hip-hop and dance music production.
About AEG Presents: AEG Presents, the live-entertainment division of Los Angeles-based AEG, is dedicated to all aspects of live contemporary music performance. AEG Presents is comprised of touring, festival, broadcast, merchandise and special event divisions, seventeen regional offices, and owns, operates or exclusively books thirty-five state-of-the-art venues. The current and recent concert tour roster includes artists such as Alicia Keys, Bruno Mars, Bon Jovi, Carrie Underwood, Cher, Daughtry, Enrique Iglesias, J Cole, Jennifer Lopez, Justin Bieber, Kanye West, Kenny Chesney, Leonard Cohen, Paul McCartney, Taylor Swift, The WHO, Trey Songz and Juanes. The company is also currently producing residency shows at The Colosseum at Caesars Palace in Las Vegas including Celine Dion, Rod Stewart and Shania Twain and is the exclusive promoter at The Joint at Hard Rock Hotel & Casino Las Vegas. AEG Live is also the largest producer of music festivals in North America from the critically acclaimed Coachella Valley Music & Arts Festival to the Stagecoach Country Music Festival and New Orleans Jazz & Heritage Festival.
BUKU Music + Art Project today announced the second round of artists for the annual festival, taking place on March 9-10, 2018 at Mardi Gras World in downtown New Orleans. The final phase of talent additions will be revealed after the New Year. Inspired by the creative subculture of New Orleans, BUKU sits at the intersection of an underground warehouse party and major urban music festival. The two-day event fuses a progressive and diverse musical lineup with live street art, custom-made industrial art installations, local food vendors, and dozens of surprise “pop-up” performances.
The latest additions to the lineup of performers include: Atlanta hip-hop trio Migos; the U.S. festival debut of Virtual Self, Porter Robinson’s new alter ego; Florida pop-punk-emo-metal heroes A Day to Remember; genre-bending electronic artist Rezz; Swedish electronic-indie group Little Dragon; a DJ set by British DJ/producer Bonobo; an extended collaborative set with Ganja White + Boogie T featuring a set by each artist and a B2B set together; a rare performance by legendary hip hop lyricist/producer Jay Electronica; electronic artists Snakehips; Gryffin; and Jai Wolf; house and techno pioneer Green Velvet; rappers Rich The Kid and Famous Dex; Vegas rockers Falling in Reverse; New York hip hop artist Princes Nokia; singer/songwriter Elohim; Dutch electronic artist Spag Heddy; rising West Coast rapper Lil Xan; Los Angeles emo revivalists Emo Nite LA; electro funk group The Russ Liquid Test; Chicago multi-instrumentalist/composer Nnamdi Ogbonnaya; local artists New Thousand; AF the Naysayer x Yung Vul; KTRL. B2B RedBarrington; and KiddLove; and the previously announced Soulection showcase will feature Sango B2B ESTA. B2B The Whooligan.
BUKU has also revealed the first VIP-only performances including EDM DJ/producers Graves and Medasin; experimental producer Ducky; industrial tech DJ/producer BlackGummy, electro DJ Squnto and local DJ TVBOO; as well as showcases from local trendsetters Freewater, Church* and BUKU’s non-profit partner Upbeat Academy.
These artists will join a previously announced roster including:
Bassnectar; MGMT; SZA; Alison Wonderland; Isaiah Rashad; Sylvan Esso; Flatbush Zombies; Borgore; Mura Masa; Bishop Briggs; Hippie Sabotage; Smino; Honey Dijon; CloZee; Jade Cicada; Zack Villere; and Bouffant Bouffant. The full lineup can be found here.
General Admission, GA Plus, VIP 21+, VIP, TOO BUKU VIP 2-Day Passes and Travel Packages for all ticket types are on sale now. When purchasing tickets patrons should be mindful that BUKU is an 18+ event. More information on tickets and ticket pricing can be found at www.thebukuproject.com/tickets.
Phoenix, AZ – Building off of the Wild West concept created for this brand new experience, Relentless Beats has announced details and the lineups behind the three main stages for the two-day event at Rawhide Event Center in Chandler, Arizona this November 18 and 19, 2017. Tapping musical talent from across the globe, each of the four stages will have its own distinct musical focus and vibe, ranging from electronic and dance to hip-hop and bass and of course the RBDeep signature sounds of techno, house and underground. A fourth stage featuring local talent will be announced in the coming weeks. Goldrush Music Festival stages and lineups are as follows:
GOLDEN GORGE A place thought long to be a myth exists in the deep canyons of the Wild West. With the sonic echo of loud vibrations, mesmerizing lights, and the most sought after resource in all of Arizona… pure gold, welcome to the Golden Gorge, featuring: Marshmello; Migos; Dillon Francis; Lil Uzi Vert; RL Grime; Drezo; Droeloe; Ghastly; Habstrakt; Hippie Sabotage; Judge; Keys N Krates; Lost Kings; Rezz; San Holo and a special performance by Excision.
PIONEER PEAK Law-abiding citizens and bandits alike gather from all over the Wild West to celebrate the finest in hip-hop, bass, and dirty vibes. Showcasing the O.G. pioneers, along with those trailblazing into new territory, Pioneer Peak will feature: A-Trak b2b Baauer; Azizi Gibson; Barclay Crenshaw; Blu J; Brillz; Flatbush Zombies; Francis Derelle; G-Buck; GG Magree; Injury Reserve; Lil Pump; Malaa; Mija; Party Thieves; Rich Chigga; Smokepurpp; $uicideboy$; Snow tha Product; SuperDuperKyle; and Ugly God.
THE HIDEOUT Outlaws of techno, house, and underground rejoice! This RBDeep fueled sanctuary was built with you in mind. Gather with like-minded citizens of the West and explore the musical frontier with sounds from: Claude VonStroke; Bart Skils; Camelphat; Christian Martin; HOSH; Jeremy Olander; Justin Jay; Mikey Lion and Lee Reynolds; Nicole Moudaber; Oona Dahl; Paco Osuna; Shiba San; Sonny Fodera; and Walker & Royce.
Rawhide Event Center is situated on the Gila River Indian Community and is Arizona’s largest 1880s western-themed entertainment venue. Located just south of Phoenix, the venue is a mere 20 minutes from the Phoenix Sky Harbor International Airport in Chandler, AZ. The venue hosts several marquee Relentless Beats events, including; Global Dance Festival, BOO!, Decadence, CRUSH AZ and Phoenix Lights Festival.
Leading up to the inaugural Goldrush Music Festival, Relentless Beats will be hosting a series of Goldrush Expeditions. Kicking off with Ghastly, K?d and Fight Club at The Van Buren on September 30th, before journeying to Salt for Tacos y Tequila with TM88 this past Friday, the series includes a mix of showcases and a DJ competition, all building towards one of the biggest events the Valley has seen. The next expedition will be October 20th, at The Van Buren and feature: Drezo; Wax Motif; Gladiator; Nukid; and Gerry Gonza. A final expedition will take place the night before the festival with Gina Turner at BFF at Bar Smith. Finally, the Goldrush Music Festival DJ Competition Finals will take place November 4th at the Monarch Theatre, with the winner receiving a slot at an upcoming Relentless Beats festival.
General Admission passes for Goldrush Music Festival are on sale now for $179, before fees. VIP passes will be available at two levels: Standard VIP, including everything that a GA tickets provides plus express VIP entrance, a commemorative lanyard, access to VIP lounge, access to VIP viewing deck, premium restrooms and passed desserts in the VIP areas. Gold VIP includes everything that the Standard VIP pass includes, plus: complimentary drinks, side stage viewing at the main stage, access to artist hospitality lounge, steakhouse quality dinner, exclusive festival gift bag, and festival concierge. You must be age 21 and up to purchase Gold VIP passes. Table options overlooking the Golden Gorge stage are currently available. Single day passes are now on sale for $89 and $79, before fees, for Saturday and Sunday respectively. All details and ticket types are available online at www.relentlessbeats.com. Goldrush is an all ages event. Fans under the age of 18 must be accompanied by an adult.
Guest Post by: Jordan Miller, Madison Burr, and Tory Njardvik
Calling all Ragin’ Raptors, Basseontologists and Party-voures to join the prehistoric, head banging, good times at Legend Valley, Ohio this September 29th to October 1st. Hold onto your butts, and prepare to be transported back to the Cretaceous Age where dinosaurs will once again dance among us at this bass boomin’, boogie bustin’ Lost Lands Festival. It’s dinosaurs and bass; what more could you want?
Excision, the bringer of the bass and visual virtuoso, has brought together some of the filthiest names in the bass scene to create a prehistoric themed festival so heavy that it is guaranteed to leave even the most experienced head bangers sore. Excision, in true head banger fashion, will be headlining all three nights to ensure festival goers get a healthy dose of the legendary Paradox Stage while simultaneously getting the maximum usage out of their official Lost Lands earplugs, which are included with every ticket. The ear plugs are free of charge, but the neck braces are not standard issue. Newbies out there should consider picking up a neck brace from a medical supply store or snagging one from a free listing on craigslist, because you are sure to need one after this heavy, head banging hangout! Protip: get some rhinestones to bedazzle your neck brace or bring sharpies so all of your new friends can sign your brace, and remember, wear it with pride!
Aside from Excision and his neck breaking beats, festival goers will be able to bask in 500,000 watts of downright dirty bass while enjoying the musical stylings of Cookie Monsta, Kill the Noise, Slander, Snails and many more bass extraordinaires. The lineup is totally rexcellent it will surely delight dirty beat seekers and get those dino feet dancin’!
Dubstep has gone through a major revival this year and we are beginning to see more festivals catering to the heavier music scene. Moonrise and Insomniac’s Middlelands both had some heavier headliners, various non-musical activities, art and productions, but these festivals were not centered purely around dubstep, like Lost Lands. We are excited to be attending the inaugural year of Lost Lands and to check out a festival that is curated by bass heads for bass heads.
If you can’t get your Bassasaurus butt to Lost Lands, we will have post festival content for you to check out. And for those of you traveling back in time to dance with the dinos, check back after the festival to find yourself and your friends in our prehistoric people album.
Camping passes are currently sold out, but a variety of other passes, including general admission, are still available for purchase from the ticketing website. Before you dino-stomp your way to Legend Valley, make sure to check up on all of the festival information.
Making the big event bigger, Relentless Beats has released phase two of it’s massive Goldrush Music Festival lineup. A completely brand new experience, the two-day event is heading to Rawhide Western Town in Chandler, Arizona this November 18 and 19 and will be themed around a Wild West concept. Tapping electronic dance music and hip-hop prospectors from across the globe, performing on four stages, each with its own distinct musical focus and vibe, the phase two lineup includes: a first ever appearance of A-Trak b2b Baauer; Azizi Gibson; Bart Skils; Blu J; Brillz; Camelphat; Christian Martin; G Buck; Desert Hearts; Droeloe; Flatbush Zombies; Fransis Derelle; Ghastly; Habastrakt; HOSH; Judge; Jeremy Olander; Justin Jay; a special two-hour headlining set on the RBDeep stage, by Nicole Moudaber; Lil Pump and Party Thieves.
Phase two of the Goldrush lineup joins over 25 previously announced artists, which have now been slotted on their respective days. Artists by day are as follows:
SATURDAY Migos; Dillon Francis; Excision; Claude Vonstroke; A-Trak b2b Baauer; Azizi Gibson; Blu J; Brillz; Camelphat; Christian Martin; Drezo; G-Buck; Habstrakt; Hippie Sabotage; Keys N Krates; Mikey Lion & Lee Reynolds; Party Thieves; Rezz; Shiba San; $uicideboy$; SuperDuperKyle; Snow Tha Product; Sonny Fodera; The Underachievers and Walker & Royce.
SUNDAY Marshmello; Lil Uzi Vert; RL Grime; Barclay Crenshaw; Bart Skils; Droeloe; Flatbush Zombies; Fransis Derelle; GG Magree; Ghastly; HOSH • Injury Reserve; Judge; Justin Jay; Lil Pump; Lost Kings; Malaa; Mija; Nicole Moudaber; Oona Dahl; Paco Osuna; Rich Chigga; San Holo; Smokepurpp and Ugly God.
Rawhide Western Town & Event Center is situated on the Gila River Indian Community and is Arizona’s largest 1880s western-themed entertainment venue. Located just south of Phoenix, the venue is a mere 20 minutes from the Phoenix Sky Harbor International Airport in Chandler, AZ. The venue hosts several marquee Relentless Beats events, including; Global Dance Festival, BOO!, Decadence, CRUSH AZ and Phoenix Lights Festival.
General Admission passes for Goldrush Music Festival are on sale now for $159, before fees. VIP passes will be available at two levels: Standard VIP, including everything that a GA tickets provides, plus express VIP entrance, a commemorative lanyard, access to VIP lounge, access to VIP viewing deck, premium restrooms and passed desserts in the VIP areas. Gold VIP includes everything that the Standard VIP pass includes, plus: complimentary drinks, side stage viewing at the main stage, access to artist hospitality lounge, steakhouse quality dinner, exclusive festival gift bag and festival concierge. You must be 21+ to purchase Gold VIP passes. Single day passes are now on sale for $89 and $79, before fees, for Saturday and Sunday respectively. All details and ticket types are available online at www.relentlessbeats.com. Goldrush is an all ages event. Fans under the age of 18 must be accompanied by an adult.
The forecast called for 75-degree weather, clouds, and rain, but it was BUKU weekend and the weather was not about to put a damper on a weekend of music and art. As I arrived on the first day, the sun peaked through the clouds—a positive sign of the weekend to come. The rain held off for most the weekend, save for a few light sprinkles, a far cry from the forecast of weekend showers.
As I made my way through security, my jitters gave way to excitement as the booming of the main stage, the Power Plant, intensified. BUKU Music + Art Project takes place at Mardi Gras World, overlooking the last stretch of the Mississippi River as it winds towards the Gulf of Mexico. Making my way towards the Float Den, I observed the adjacent Ballroom Stage, merchandise tent, and vendors, anxiously waiting for the sun to go down and the festival to light up. K?D was performing at the Float Den, essentially a large warehouse at the back of the festival, which would serve as the hub for bass music that weekend. After K?D wrapped things up, San Holo took the stage. At the same time, security guards drove through the crowd with two large industrial dehumidifiers towards the Float Den stage. The bass-heavy music of the Float Den got the crowd quite energetic. Combined with the large crowds that the Float Den attracted and the mediocre airflow of a mostly-enclosed space, the Float Den got hot and sweaty.
As the sun dipped lower in the sky, the Float Den turned up the energy. TroyBoi threw down a performance as gnarly as the air in the room—heavy bass combined with smooth transitions and seamless mixing. Looking for a reprieve from the heat, I found Opiuo at the Ballroom Stage, an indoor stage with much-needed air conditioning. The Ballroom was dimly lit with minimalist lighting and an electroluminescent wire chandelier that set the tone of room. The environment proved suitable for hula-hoopers looking for room to dance, and people just looking to soak in the sounds of the music without being distracted by the lights or crowds.
After Opiuo, I made a quick stop to see Whethan at the Back Alley stage, literally a back alley, tucked away from the madness of the rest of the festival. The Back Alley served as the home for House and Techno, with an illuminated gazebo viewing area for those wanting to escape the crowds. Friday night, the Back Alley saw performances from artists like Clams Casino, and a Shiba San B2B Justin Jay set. Unfortunately, Nora En Pure would miss the festival due to issues with her flight.
Back Alley Stage at BUKU 2017
On the way back to the Power Plant, I stopped in to catch a bit of Slushii, who was throwing down some wonky beats at the Float Den. After a quick listen, I continued to one of the main attractions of the weekend—the funky and saxy Grizmatik, whose saxophone sounds complemented the local New Orleans music scene. After Grizmatik, I split my time between two of the closing performances: a packed Zeds Dead show at the Float Den and a more chill and groovy set by Shiba San & Justin Jay at the Back Alley.
Grizmatik performing at the Power Plant Stage
The second day saw light precipitation and a drop in temperature, a welcome treat to cool down the crowd. The Float Den continued its bass theme with early performances by Minnesota B2B Space Jesus, the alien-esque Rezz, and the mystery man, Malaa.
Back at the Power Plant, Tycho (Live) put on an incredible melodic sunset performance, accompanied by the design and photographic visuals of Tycho’s primary composer, Scott Hansen, also known by his design alias, ISO50. The strong hues of magenta and red complemented the sky as the sun dipped below the horizon.
Tycho (Live) performing at the Power Plant Stage
Jumping from stage to stage, I spent more time hanging out at the art carts. BUKU creatively utilizes art carts, which are smaller in size compared the larger art cars seen at bigger festivals. Pedicabs and shopping carts adorned with lights, speakers, and DJs made the rounds at the festival, giving attendants a chance to stop and take a quick dance break in between stages. Or, if the music caught your ear, a quick dance break would turn into quite a long one.
An art cart at BUKU 2017
I jumped between performances of Lane 8, Cashmere Cat, and deadmau5, all masters at building musical tension, and then releasing it in a dance extravaganza. deadmau5 performed in his signature style—long build-ups in the beginning making way towards more intense music towards the end, often accompanied by some trolling on the mic. He apologized for not having his signature Cube stage display, and then made a plug for his afterparty, exclaiming “I hope you like techno.”
Back at the Float Den, the mysterious Zhu closed out the night. Starting with minimal lighting effects, his performance turned the Float Den into a dance hall as his set progressed, and with it, the lighting intensity. He jumped on the mic several times to perform vocals for his songs, a signature characteristic of his producing and DJing style. Zhu’s performance was a flawless way to end the weekend—an intense dance music experience that is simultaneously low-key, a perfect embodiment of BUKU Music + Art Project.