Tag - big wild

Red Hot Chili Peppers to Headline Hangout 2020

Hangout 2020 Lineup

GULF SHORES, AL – The Hangout Music Festival, a three-day music vacation on the beach, today announced the lineup for the eleventh installment of the annual festival. Hosted oceanside on the beaches of Gulf Shores Alabama, Hangout Fest is a one-of-a-kind experiential event featuring performances from the biggest artists in pop, rock, hip-hop, electronic and country, and an array of immersive beach activities that extend far beyond music. This year’s event will take place Friday, May 15 ending Sunday, May 17, 2020.

Hangout Fest offers attendees a luxurious weekend of watching the biggest names in music with their feet in the sand. VIP pools with a close-up view of the Hangout Main Stage and hammocks lining the beach gives fans a festival experience of unparalleled comfort and proximity to the cast of all-star performers.

The highly anticipated lineup, arguably Hangout’s biggest yet, will include:

Red Hot Chili Peppers, Post Malone, Billie Eilish, Marshmello, Lana Del Rey, Cage The Elephant, Juice WRLD, Illenium, Kane Brown, Rainbow Kitten Surprise, Louis The Child, The Head and the Heart, RL Grime, Jhené Aiko, Megan Thee Stallion, FINNEAS, Madeon, Quinn XCII, Moon Taxi, The Band Camino, Oliver Tree, T-Pain, Tove Lo, Big Wild, Wallows, Chelsea Cutler, Alec Benjamin, YUNGBLUD, Jai Wolf, Dominic Fike, Mt. Joy, Omar Apollo, Orville Peck, Snakehips, Surfaces, Doja Cat, SAINt JHN, Scarypoolparty, Bea Miller, Getter, Shallou, The Aces, Missio, Barns Courtney, SNBRN, Blunts & Blondes, The Glorious Sons, Whipped Cream, 99 Neighbors, Elderbrook, NOTD, Paul Cauthen, Raveena, Regard, Bren Joy, Luttrell, Taska Black, Pluko, Bailey Bryan, Dan Luke and the Raid, Duskus, Mattiel, MEMBA, Lucii, Perto, KennyHoopla, and Softest Hard.

Complementing the stellar talent, guests can partake in a wide range of activities and events. Dive into the water at one of our beach clubs, swing at Hammock Beach, play beach volleyball, practice yoga, go disco skating at the full-sized Roller Rink. You can also rekindle those vintage summer vibes at Camp Hangout or join one of the epic dance parties happening by the waves with DJs all weekend long! See a full list of activities here.

Tickets go on sale Monday, December 9 at 10 AM CT / 11 AM ET with a variety of ticket offerings ranging from GA to a host of VIP options. Celebrate your best life with all-inclusive VIP, Super VIP, Big Kahuna and Cabana packages for a decadent stay that is part music, part gourmet dining and 100% epic beach party. Featuring exclusive beach access, pool-side and jacuzzi-side views of the main stage, complimentary food, beer, wine and cocktails all weekend. Regular three-day GA tickets are $299 and all-inclusive three-day VIP tickets start at $1,099. The festival will again offer payment plans for GA and VIP purchases, allowing fans to pay for their tickets in five installments with a 10% down payment. Detailed information on ticketing can be found at hangoutmusicfest.com

Fans have the opportunity to purchase presale tickets via American Express or Tunespeak. The AMEX presale starts Friday, December 6 at 8AM CT / 9 AM ET and is open to all American Express Card Holders. The Tunespeak presale starts Friday, December 6 at 10AM CT / 11 AM ET and customers can sign up for access at hangoutmusicfest.com. Both presales end Monday, December 9 at 9:30 AM CT / 10:30 AM ET

Website * Facebook * Twitter * Instagram

About Hangout Music Festival:

To put it simply, the Hangout Music Festival is a music vacation on the beach. The award-winning festival takes place on the beaches of Gulf Shores, Alabama — just a short drive from the Pensacola, FL and Mobile, AL airports. Hangout is as much a vacation as it is a concert event. Offering more than just music, fans can take advantage of festival amenities including seaside beach clubs featuring a cast of up and coming DJs, a full size roller rink, beach volleyball, main stage inground pools, Gulf-front hammocks, delicious food and more. It has been awarded as Pollstar’s “Music Festival of the Year”, and is continuously recognized as one of the best festivals in the US. The festival infuses over $40 million into the local economy each year.

Hulaween Announces 2019 Phase 1 Lineup

Hulaween 2019 Phase 1

After surviving some financial troubles in 2018, including the bankruptcy of Silver Wrapper Productions (the original producer of Hulaween), Hulaween is due to return to the Spirit of the Suwannee Music Park in Live Oak, Florida this October 24-27, 2019. The 4-day event has announced their phase 1 lineup, including artists like The String Cheese Incident, Bassnectar, Anderson .Paak, Jason Isbell, Big Wild, Flying Lotus, Greensky Bluegrass, Jai Wolf, STS9, Umphrey’s McGee, Manic Focus, The Funk Hunters, CloZee, and many more.

A variety of ticket options, including 3 and 4 day General Admission, VIP, RV, and car camping are all available from the ticketing website.

Shaky Beats Drops 2019 Daily Lineup

Shaky Beats 2019 Lineup

Atlanta-based dance music festival, Shaky Beats, has dropped its 2019 daily lineup. The festival, which takes place May 10-11 in Atlanta Central Park, includes a Friday host of RÜFÜS DU SOL, Big Gigantic, San Holo, What So Not, Snakehips, Lane 8, Boogie T, Solardo, SNBRN, Dombresky, Moon Boots, Whipped Cream, GG Magree, Dirt Monkey, Win + Woo, Paz, Mantis, Eddie Gold, and Movin’ Keyz. Saturday, the festival will see the likes of Martin Garrix, Galantis, Fisher, Gryffin, Chris Lake, Big Wild, Ekali, Party Favor, CloZee, Vanic, Squnto, Ducky, Cray, Slumberjack, Midnight Kids, Zeke Beats, Xie, PLS&TY, The Funk Hunters, DJ Zoe Gray, and Airwolf.

GA, GA+, VIP, and Single Day tickets are available from the Shaky Beats ticketing website, with prices ranging from $95-412, depending on options. Additional festival information can be found on the Shaky Beats information page.

Camp Bisco 2018 Lineup

Camp Bisco 2018 Lineup

Camp Bisco has announced a jam-packed 2018 lineup for July 12-14, 2018, featuring many Camp Bisco alumni, as well as new-comers ranging from jam bands to dubstep and everything in between. Naturally, The Disco Biscuits are headlining with six sets all weekend. Other artists include Bassnectar, Excision, Tipper, Bonobo (Live Band), Illenium, Lotus, STS9, Big Wild, and many more.

Camp Bisco is three-day camping festival at Montage Mountain in Scranton, Pennsylvania. Camp Bisco does not offer car-side camping, so come prepared. They note:
“There is no car side camping at Camp Bisco. There is wagon service to get you from the camping parking lot/gear drop off area to the campgrounds and ability to have a vehicle drop your gear off as close as possible to your campsite. We provide a large number of shuttles, all-terrain golf carts and staff in order to make it the easiest camping experience possible on Montage Mountain. There is continuous, expeditious valet service throughout the weekend but we still encourage Camp Bisco campers to pack light and bring something with wheels to transport gear in (think utility cart, not a radio flyer).”

If you intend on camping, make sure to buy a camping bundle, as the default festival option is for the festival-only and does not grant access to the camping and RV grounds. Early-bird GA tickets are currently on sale for $169.50 for festival only or $209.50 with camping, taxes and fees not included. Early-bird VIP tickets are on sale for $399.50 for festival only or $439.50 with camping, taxes and fees not included. Additionally, there are also glamping options and a 3-installment plan available.

Live & Love Relentlessly at Decadence AZ 2017

DecadenceAZ 2017 Sunset

This past December 30-31, 2017, thousands of music enthusiasts took over the Rawhide Western Town & Event Center in Chandler, AZ, for Arizona’s biggest New Year’s Eve celebration, Decadence. Festival producers Relentless Beats and Global Dance pulled in 12,000 attendants per day, with a lineup that featured a cast of national acts including Armin van Buuren, Big Wild, Borgore, Boys Noize, Duke Dumont, Galantis, Justice, Louis the Child, Madeon, Oliver Heldens, What So Not, Zedd, Zeds Dead, Zhu, and many more. The two-day event featured two main indoor stages: The Diamond Atrium and Sapphire Ballroom, along with the outdoor Ruby Courtyard and carnival rides.

Big Wild at DecadenceAZ 2017

Big Wild performing in the Sapphire Ballroom. Photo by Victor Tranfield

With a number of destructive natural disasters and unusual political phenomena in the US, many would consider 2017 a wild and tumultuous year. Perhaps that’s why 2017 also seemed to be a big year for music and festivals, as people search for a means of community, especially in the festival realm: a place to escape the distractions of the world and find love and peace. On that note, we reached out to several artists and people in the industry to ask them:

“Can you recall a particular moment that stands out, which happened in 2017 that you think exemplifies the unifying power of music?” Here’s what they had to say:

Snails
“The power of music is crazy. People can just forget everything and be with their friends and just have fun. That’s what it’s all about. A very special moment for me this year was pressing play at my Sluggtopia Red Rocks show in front of 10k people and everyone coming together for the moment and forgetting about everything else. Can’t wait for 2018!”

BIJOU
“For me that moment was EDC Las Vegas. This year has been an extremely difficult for many around the world. To have the opportunity to play on that size of a stage and watch every single person out there forget about all their problems and issues is truly empowering. It was a moment I’ll never forget and a moment that the music really brought everyone together as a whole. It’s really a beautiful thing that I feel like only music can do for such an audience.”

BIJOU DecadenceAZ 2017

BIJOU performing at the Diamond Atrium. Photo by Phil MacDonald

Thomas Turner of Relentless Beats
“When we announced Goldrush many were concerned overlapping fan bases might lead to an environment different than the one we have built in our electronic music scene. To witness it in fact be a cohesive event with many musical tastes coming together was such an amazing feeling. Arizona is really special place.”

Black Tiger Sex Machine
“It’s tough to single out a specific moment, so we are just going to choose our entire Midnight Terror Tour in 2017. We had the chance to play across all of North America in the span of a few weeks and it was our biggest tour yet. We always expect the smaller intimate shows to have a real unifying vibe, but we were so amazed to see these larger crowds coming together and enjoying themselves in such a positive way. And it wasn’t just one specific area. People all over are in tune with this idea of community and spreading positivity. It makes us really hopeful about the future, in spite of all the craziness that can happen in the world.

Music won’t hate. Music won’t judge. Music is here to stay. Music is our religion.”

While artists had the chance to reflect on the previous year, we spoke to festival attendants to ask the oft repeated New Year’s question: “what is your new years resolution?” While the festival’s name might betray a sense of extravagance, luxury, or self-indulgence, a fitting theme for an atmosphere of celebration, the reality is the responses were far humbler. In fact, festival owner Thomas Turner commented that Decadence was really about giving “our fans the most elaborate and immersive experience yet. Think of it as a ’Thank You’ for a great 2017 and a toast to an even bigger new year.” In other words, Decadence is less focused on self-indulgence and more of an unrestrained thank-you to the music community.

When festivalgoers were asked about their New Year’s resolutions, the responses resoundingly revolved around several key themes: self-improvement, self-love, helping those less fortunate, being more accepting, and being more environmentally conscious. When questioned, one festival attendant responded: “After 2017, I think we could all use a little more love.”

As thousands of people at Decadence danced, laughed, and celebrated the beginning of 2018 together, with a raucous celebration to end 2017, positivity was in the air; music enthusiasts radiated with a bright outlook entering the new year. Decadence Arizona 2017 was a magical weekend; take that magic that brings people together, share it with the world, and live and love relentlessly in 2018. Welcome to the future!

Editor’s Note: This was a collaborative article by Phil MacDonald and Victor Tranfield, with a special thank you to Caren West PR for assisting with artist relations.

DecadenceAZ 2017 Unicorns

Festivals: where magical things happen, like unicorns riding unicorns. Photo by Victor Tranfield

Okeechobee Music Festival 2018 Lineup

Okeechobee Music Festival 2018 Lineup

Okeechobee Music & Arts Festival returns to Sunshine Grove in Okeechobee, Florida for its third year this March 1-5, 2018. The star-studded lineup includes headliners Arcade Fire, Bassnectar (two sets with a special full moon beach set), Halsey, and Travis Scott, as well as Khalid, Foster the People, Leon Bridges, The Flaming Lips, Zeds Dead, Slightly Stoopid, Tipper, Big Gigantic, STS9, Local Natives, Gramatik, Illenium, Blackbear, Thievery Corporation, Tycho, Sylvan Esso, Judah & The Lion, Kyle, Misterwives, Sofi Tukker, Magic!, Lettuce, Billie Eilish, Ganja White Night (Live Set) B2B Boogie T and Dirt Monkey, Jai Wolf, G Jones, Big Wild, Denzel Curry, Pouya, Quinn XCII, Allah-Las, Nightmares on Wax (Live Band), Twiddle, and many more. As usual, Okeechobee will feature a PoWoW! Superstar Mashup set, consisting of many of the aforementioned artists. This is just the first phase of artist announcements, so expect more artists to be announced in the coming months. A range of ticket options are currently available for purchase from the ticketing website.

Gem & Jam Announces Phase 2 Lineup

After dropping a first phase lineup which boasted two nights of STS9, two nights of Lettuce and nearly 40 additional artists, Gem & Jam continues to surpass the lofty levels set last year. Returning to Pima County Fairgrounds for a second straight year- January 25 – 28, 2018, the four-day music and camping festival keeps the momentum going with a mix of fan favorites, including: Big Wild; Papadosio; Sunsquabi; Head for the Hills; Earthcry (of Papadosio); Dynohunter; Templo; Lapa (of Emancipator); Smash & Grab; Little John; Minions of the Moon; Bird Foot; Tony Inorbit; The Party People; Soul Catalyst; and Deadset. Additional artists will be added in the coming months.

Previously announced artists include: STS9; Lettuce; Greensky Bluegrass; Railroad Earth; Emancipator; Breaking Biscuits; Thriftworks; The Russ Liquid Test; Masego; Random Rab; Michal Menert; Flamingosis; John Kadlecik’s Fellowship of the Wing; Govinda; Jade Cicada; Maddy O’Neal; Saqi; Ill Esha; Charlesthefirst; Modern Measure; Bass Physics; Marvel Years; Zoogma; Blunt Force; Safis Lab; Flying Skulls; Skydyed; Kyma; Adem Joel; Electric Feel; Smokovich; Endoplasmic; The Bennu; Neon Prophet Band; Jahmontee; SuDs; M/Q; Truth Cartel and GonzoFuZe.

Located on 640 acres and just 20 miles south of downtown Tucson, the Pima County Fairgrounds is surrounded by nature and resides in a desert environment, creating an expansive setting perfect for Gem & Jam. The multi-stage music and arts festival will be offering increased capacity and camping options, including: onsite RV camping with hookups, boutique camping, car camping and walk-in camping. Additionally, Gem & Jam will be expanding on its experience with world-class visuals, unique stage designs, artist galleries, live paintings, experiential installations, daytime workshops, gem and mineral vendors and much more.

General Admission tickets are on sale now for $199, plus fees. Camping options will be available starting at $55, plus fees. Included in these options are: Deluxe RV Camping, Standard RV Camping, Car Camping, Walk-In Camping and Ready, Set, Camp. Tickets are available online at www.gemandjam.com Gem & Jam Festival is an all ages event.

Gem & Jam is produced by Infinite Music Productions, Euphonic Conceptions, and Challenger Presents. Visit www.gemandjam.com for the most up-to-date information. Stay connected on Facebook at www.facebook.com/GemAndJam, Twitter at www.twitter.com/GemJamFestival and on Instagram at www.instagram.com/GemAndJamFestival.

Decadence AZ 2017 Initial Lineup

Decadence Arizona 2017

Relentless Beats has announced phase one of their lineup for Decadence NYE, Arizona’s largest music festival – a two-day New Year’s Eve celebration taking place at Rawhide Event Center in Chandler, Arizona on December 30 and 31, 2017. Presented by Relentless Beats and Global Dance, the fourth annual festival will include two main stages, with some of electronic dance music’s biggest and most buzz-worthy artists, including: in the Diamond Atrium: Armin Van Buuren (AZ festival debut); Black Tiger Sex Machine; Borgore; Crywolf; Galantis; Louis the Child; Medasin (AZ debut); What So Not; Zedd and Zed’s Dead and in the Sapphire Ballroom: Big Wild; Destructo; Justice (dj set/AZ debut); Petit Biscuit; Tchami; Tokimonsta and ZHU, with many more to be announced in the coming weeks.

“This has been by far the biggest year in Relentless Beat’s history,” says Relentless Beats founder Thomas Turner. “It is pretty remarkable that we get to cap it off with our biggest lineup of 2017- setting the bar for an even bigger year next year.”

Rawhide Event Center is situated on the Gila River Indian Community and is Arizona’s largest 1880s western-themed entertainment venue. Located just south of Phoenix, the venue is just 20 minutes from the Phoenix Sky Harbor International Airport in Chandler, AZ. Relentless Beats will be transforming Rawhide’s Frontier Hall into the Arizona’s biggest super-club for a decadent two nights. Guests are invited to indulge and live lavishly one last time, as they say good-bye to 2017 and prepare to welcome the fresh beginnings of a new year.

General Admission tickets go on-sale Friday, August 25, 2017 at 10 a.m. for $149, plus fees for a 2-day pass. VIP passes, with separate VIP entrance, two (2) complimentary drink tickets, a catered spread, massive VIP deck with assorted seating, two preferred main stage viewing areas, passed hors d’oeuvres, New Year’s Eve champagne toast, commemorative lanyard, and VIP restrooms will be available. Table service will be available at both main stages. VIP Platinum options are also available. For full details and all ticket options, visit www.decadencearizona.com. VIP is reserved for 21+. Decadence Arizona is an ages 18 and over event.

Decadence Arizona is produced by Relentless Beats and Global Dance. Visit www.relentlessbeats.com for the most up-to-date information on all Relentless Beats events. Stay connected on Twitter at www.twitter.com/RelentlessBeats and on Facebook at www.facebook.com/RelentlessBeats.

BUKU Music + Art Project 2017

BUKU Music + Art 2017 Lineup

BUKU Music + Art Project returns for the 6th time to Mardi Gras World in New Orleans, LA. The two-day event takes place March 10-11, 2017 and features a variety of music and visual artists. This year’s event includes artists like deadmau5, Grizmatik (Griz and Gramatik), Travis Scott, Run the Jewels, Zeds Dead, Tycho, Zhu, Jauz, Lil Dicky, Cashmere Cat, Malaa, Rezz, Big Wild,  San Holo, Lane 8, and more.

BUKU is held on the New Orleans riverfront, within walking distance of the Warehouse District and the French Quarter. In addition to musical performances, BUKU will feature art installations from local and national artists. Tier 3 General Admission passes are on sale for $189.99 (taxes and fees not included). GA Plus tickets are on sale for $289.99, while VIP tickets are on sale for $419.99. For a list of all ticket options, check the ticket website. If you’re attending the festival, make sure to check out the FAQs, travel information, lodging information, and safety information.

Bassnectar Bucks the Trend with Basslanta

Bassnectar in Atlanta

It seems that lately the general trend with music festivals has been: bigger, flashier, more lights, flames, fireworks, costumes, dancers, confetti, lasers, LED panels, etc. Often times it feels like the main attraction has changed focus from the music to the stages, marketing, and overall spectacle of the event. All those aspects certainly hold an appropriate place in the live music world; they serve as a useful tool to transport fans into another universe and provide extra visual stimulation to complement the music. But at what point does it all become too much? Can you really have too many lights, lasers, and the like? Bassnectar’s two-night “gathering” in Atlanta, GA earlier this month seems to confirm that, yes, there is such a thing as too many visuals at live music events.

Bassnectar announced the Atlanta gathering earlier this year, in April. The Bassnectar team tried to maintain as much secrecy about the event as possible, revealing only a GPS drop pin on a map, and a short description about how the event would differ from other music events: “We are going back to our roots – the underground parties of the 1990s: one room, one floor, no seats, sweat dripping from the ceiling, secret location…” The goal was to put the focus on the music and the people, and remove attention from the artists and the stage.

Just days after Labor Day, thousands of Bassheads descended upon the secret location in Atlanta for the two-night gathering with Bassnectar, Hudson Mohawke, Lunice, Truth, Big Wild, Atliens, and Hustle Up. Although the event was not held in an actual warehouse (in 2016, the logistics of having an officially sanctioned event of this magnitude would make that quite difficult), it was clear that Bassnectar was trying to recreate the warehouse vibe of the old days.

As fans arrived at the location, they traveled down to the bottom floor of a dimly lit, wide open space. There were no gimmicks. No fireworks, costumes, dancers, or flames. Sure, there were lasers, lights, LED panels, and confetti, but all were used sparingly. Indeed, on the first night, Bassnectar played several songs with hardly any lighting at all for large swaths of time, occasionally illuminating a small array of lights to set the mood. At many points, there wasn’t much to see at all, but you could feel everything. With the focus on the environment and not the artist, the surroundings felt barebones and minimalistic, allowing the music to do the talking. A normal festival or concert is often tight and packed. This event felt looser; an emphasis on negative space with large open areas that echoed music off the walls and through your ears. The goal of the event was not to have a large group of people packed around a stage, but instead, a large group of people letting their senses run wild, roaming the dark space both physically and mentally—a paracosm.

Bassnectar is incredibly talented at creating a unique atmosphere for his events. It’s one of the reasons his fans remain so loyal and attend countless Bassnectar events across the country: each one is uniquely different. Much of this can be attributed to his obsession with sounds, samples, set and setting. He [thankfully] doesn’t spend much time on the mic, but when he does, Bassnectar is cool, calm, and collected. A stark difference from the crowd in front of him that is visibly going apeshit crazy for his performance. Basslanta is a quintessential example of Bassnectar’s passion for music, his fans, and being unique. It was a gathering that bucked the trend of bigger and flashier, and instead was an exhibit of how a properly balanced artistic event can foster a much more memorable experience.

Note: One of Bassnectar’s goals with this event was to maintain a sense of mystery, paying homage to the old days of underground parties that were secretive and revolved around the music, rather than the marketing. In writing this article, I wanted to highlight some of the positive aspects of the event, without revealing too much of the mystery. For the full experience, you should check out a Bassnectar event for yourself, if you haven’t already.