Okeechobee Music & Arts Festival returns to Sunshine Grove in Okeechobee, Florida for its third year this March 1-5, 2018. The star-studded lineup includes headliners Arcade Fire, Bassnectar (two sets with a special full moon beach set), Halsey, and Travis Scott, as well as Khalid, Foster the People, Leon Bridges, The Flaming Lips, Zeds Dead, Slightly Stoopid, Tipper, Big Gigantic, STS9, Local Natives, Gramatik, Illenium, Blackbear, Thievery Corporation, Tycho, Sylvan Esso, Judah & The Lion, Kyle, Misterwives, Sofi Tukker, Magic!, Lettuce, Billie Eilish, Ganja White Night (Live Set) B2B Boogie T and Dirt Monkey, Jai Wolf, G Jones, Big Wild, Denzel Curry, Pouya, Quinn XCII, Allah-Las, Nightmares on Wax (Live Band), Twiddle, and many more. As usual, Okeechobee will feature a PoWoW! Superstar Mashup set, consisting of many of the aforementioned artists. This is just the first phase of artist announcements, so expect more artists to be announced in the coming months. A range of ticket options are currently available for purchase from the ticketing website.
Tag - zeds dead
Guest Post by: Jordan Miller, Madison Burr, and Tory Njardvik
Calling all Ragin’ Raptors, Basseontologists and Party-voures to join the prehistoric, head banging, good times at Legend Valley, Ohio this September 29th to October 1st. Hold onto your butts, and prepare to be transported back to the Cretaceous Age where dinosaurs will once again dance among us at this bass boomin’, boogie bustin’ Lost Lands Festival. It’s dinosaurs and bass; what more could you want?
Excision, the bringer of the bass and visual virtuoso, has brought together some of the filthiest names in the bass scene to create a prehistoric themed festival so heavy that it is guaranteed to leave even the most experienced head bangers sore. Excision, in true head banger fashion, will be headlining all three nights to ensure festival goers get a healthy dose of the legendary Paradox Stage while simultaneously getting the maximum usage out of their official Lost Lands earplugs, which are included with every ticket. The ear plugs are free of charge, but the neck braces are not standard issue. Newbies out there should consider picking up a neck brace from a medical supply store or snagging one from a free listing on craigslist, because you are sure to need one after this heavy, head banging hangout! Protip: get some rhinestones to bedazzle your neck brace or bring sharpies so all of your new friends can sign your brace, and remember, wear it with pride!
Aside from Excision and his neck breaking beats, festival goers will be able to bask in 500,000 watts of downright dirty bass while enjoying the musical stylings of Cookie Monsta, Kill the Noise, Slander, Snails and many more bass extraordinaires. The lineup is totally rexcellent it will surely delight dirty beat seekers and get those dino feet dancin’!
Dubstep has gone through a major revival this year and we are beginning to see more festivals catering to the heavier music scene. Moonrise and Insomniac’s Middlelands both had some heavier headliners, various non-musical activities, art and productions, but these festivals were not centered purely around dubstep, like Lost Lands. We are excited to be attending the inaugural year of Lost Lands and to check out a festival that is curated by bass heads for bass heads.
If you can’t get your Bassasaurus butt to Lost Lands, we will have post festival content for you to check out. And for those of you traveling back in time to dance with the dinos, check back after the festival to find yourself and your friends in our prehistoric people album.
Camping passes are currently sold out, but a variety of other passes, including general admission, are still available for purchase from the ticketing website. Before you dino-stomp your way to Legend Valley, make sure to check up on all of the festival information.
Relentless Beats has announced phase one of their lineup for Decadence NYE, Arizona’s largest music festival – a two-day New Year’s Eve celebration taking place at Rawhide Event Center in Chandler, Arizona on December 30 and 31, 2017. Presented by Relentless Beats and Global Dance, the fourth annual festival will include two main stages, with some of electronic dance music’s biggest and most buzz-worthy artists, including: in the Diamond Atrium: Armin Van Buuren (AZ festival debut); Black Tiger Sex Machine; Borgore; Crywolf; Galantis; Louis the Child; Medasin (AZ debut); What So Not; Zedd and Zed’s Dead and in the Sapphire Ballroom: Big Wild; Destructo; Justice (dj set/AZ debut); Petit Biscuit; Tchami; Tokimonsta and ZHU, with many more to be announced in the coming weeks.
“This has been by far the biggest year in Relentless Beat’s history,” says Relentless Beats founder Thomas Turner. “It is pretty remarkable that we get to cap it off with our biggest lineup of 2017- setting the bar for an even bigger year next year.”
Rawhide Event Center is situated on the Gila River Indian Community and is Arizona’s largest 1880s western-themed entertainment venue. Located just south of Phoenix, the venue is just 20 minutes from the Phoenix Sky Harbor International Airport in Chandler, AZ. Relentless Beats will be transforming Rawhide’s Frontier Hall into the Arizona’s biggest super-club for a decadent two nights. Guests are invited to indulge and live lavishly one last time, as they say good-bye to 2017 and prepare to welcome the fresh beginnings of a new year.
General Admission tickets go on-sale Friday, August 25, 2017 at 10 a.m. for $149, plus fees for a 2-day pass. VIP passes, with separate VIP entrance, two (2) complimentary drink tickets, a catered spread, massive VIP deck with assorted seating, two preferred main stage viewing areas, passed hors d’oeuvres, New Year’s Eve champagne toast, commemorative lanyard, and VIP restrooms will be available. Table service will be available at both main stages. VIP Platinum options are also available. For full details and all ticket options, visit www.decadencearizona.com. VIP is reserved for 21+. Decadence Arizona is an ages 18 and over event.
Decadence Arizona is produced by Relentless Beats and Global Dance. Visit www.relentlessbeats.com for the most up-to-date information on all Relentless Beats events. Stay connected on Twitter at www.twitter.com/RelentlessBeats and on Facebook at www.facebook.com/RelentlessBeats.
Last month, Phoenix Lights took over the Rawhide Event Center in Chandler, Arizona, with a stacked lineup featuring artists like Above & Beyond, Alesso, Tiesto, GRiZ, Zhu, Zeds Dead, STS9, Pete Tong, and more. We previously posted the unofficial Dancebreak recap video. In addition to the unofficial Dancebreak recap video, an official Phoenix Lights After Movie has been released, featuring the song “Traffic” by Loudpvck & Botnek.
Moonrise Festival returns to Pimlico Race Course in Baltimore, Maryland this August 12-13, 2017. The two-day music festival will feature DJs, live bands, and performing artists performing on different four stages. The Phase 1 lineup has been released and features artists like Afrojack, Big Gigantic, Carnage, Excision, Madeon, Porter Robinson, Zeds Dead, Gramatik, Flux Pavilion, and many more. Tickets are currently available from the ticketing website, with 2-day GA tickets selling for $159.50 (not including taxes and fees) and 2-day VIP passes selling for $274.50 (not including taxes and fees). Additional information is also available through the information and FAQ pages.
Earlier this month, Phoenix Lights took over the Rawhide Event Center in Chandler, Arizona, with a stacked lineup featuring artists like Above & Beyond, Alesso, Tiesto, GRiZ, Zhu, Zeds Dead, STS9, Pete Tong, and more. Check out our recap video below.
Earlier this month, about 50,000 music enthusiasts gathered at Carson Creek Ranch for the 6th annual Euphoria Music Festival, held from April 6-9, 2017. Tucked away along the Colorado River and on the outskirts of Austin, this year’s event included a diverse lineup of live music, DJs, and hip-hop artists, including artists like Alesso, Chromeo, Zeds Dead, Pretty Lights Live, The Floozies, Oliver Heldens, Moby, Papadosio, Yotto, Wiz Khalifa, and a slew of other musical talent. In addition to the music, Euphoria continued its successful Ecophoria initiative: a comprehensive program that aims to preserve Carson Creek Ranch and its surroundings. The Ecophoria initiative tackles some of the issues that affect music festivals by setting up donation bins drop-offs (to keep campers from leaving unwanted items behind), encouraging carpooling and recycling, setting up water stations for filling up reusable containers, employing a Green Team to manage waste and encourage mindful participation, organizing river cleanups, and more.
With the venue being so close to Austin, one might wonder how Euphoria could serve as a traditional escape from the mundane and normal life that many attendants tend to look for in a music festival, but upon arriving at Carson Creek Ranch, all doubts would be washed away upon seeing the musical sanctuary that hosts Euphoria. The festival features three stages, the largest of which is aptly named Euphoria, sporting pyrotechnics, fireworks, and a traditional array of lights and lasers to complement the musical performances. Due to unfortunate circumstances with flights, The Knocks were left grounded in Atlanta, with The Disco Biscuits filling in on Friday. In addition to the two sets of The Disco Biscuits, Pretty Lights Live closed out the main stage on Friday, putting on a display of live music, lights, and lasers—a relaxed way to kick-off an eventful weekend.
The weekend kicked it up a notch at the main stage on Saturday evening. Poolside put on a show that was naturally appropriate for an early pool party vibe. Towards the end of their set, the percussionist jumped out into the crowd to join the dancing fans and to preach a message of love and friendship. Artists Bakermat and Bob Moses continued the trend of live instruments mixed together with DJing as Bakermat incorporated a live saxophonist, while Bob Moses performed with a live guitar, drums, and keyboard. The tempo increased later in the night as Oliver Heldens and Alesso played the last two dance-heavy sets of the main stage. Meanwhile, Chromeo’s Sunday performance felt retro with their Nu Disco style.
The Elements Stage displays a large colored cutout of a coyote’s head, with lights projecting onto the cutout, and illuminated eyes that scan the crowds at night—watchful eyes overlooking the dancing madness of the weekend. Friday night, Chet Porter put on a sunset performance, which was followed up by heavier acts like SPAG HEDDY, Minnesota, Mija, and Knife Party. Saturday night saw a mixture of dance music like CID and Alan Walker, mixed in with some hip-hop and rap like Post Malone and Young Thug. Sunday’s Elements Stage worked its way through some crunchier sounds, with artists like BREDE, The Widdler, and ill-esha, giving way to more dance-centric artists like The Funk Hunters, Lost Kings, and the legendary Moby. Zeds Dead closed out the main stage Sunday night with a grimey dubstep set that had the whole crowd going wild.
The Dragonfly Stage sits adjacent to the Colorado River, with crowds facing the river. At night, projected lights bounce around the amphitheater and onto the river behind the stage, setting the tone for an immersive musical experience. FKJ (short for French Kiwi Juice) took full advantage of the Dragonfly ambience, getting the whole place groovy on Friday night. Meanwhile, Prince Fox incorporated his signature style of remixing old pop tracks into contemporary dance tunes. Later in the night, Yotto took the crowd on a musical journey through trance and house music.
With a weekend full of musical diversity, taking place on sprawling fields and along the Colorado River, we found our euphoria at Euphoria Music Festival. Did you find yours?
Sunset Music Festival returns to Raymond James Stadium in Tampa, FL this May 27-28, 2017. The lineup includes artists like Major Lazer, RL Grime, Above & Beyond, Zeds Dead, Cedric Gervais, Dusky, Gareth Emery, G Jones, San Holo, MaRLo, Slander, SNAILS, Aly & Fila, Kill the Noise, Louis the Child, Yellow Claw, and many more. Tickets are currently available with 2-day GA tickets going for $159.95 (plus fees) and 2-day VIP tickets for $259.95 (plus fees). Included on the ticketing website are various other merchandise and offers, including locker rentals. Make sure to also check out SMF’s info pages, including their guide, safety, and location information.
The forecast called for 75-degree weather, clouds, and rain, but it was BUKU weekend and the weather was not about to put a damper on a weekend of music and art. As I arrived on the first day, the sun peaked through the clouds—a positive sign of the weekend to come. The rain held off for most the weekend, save for a few light sprinkles, a far cry from the forecast of weekend showers.
As I made my way through security, my jitters gave way to excitement as the booming of the main stage, the Power Plant, intensified. BUKU Music + Art Project takes place at Mardi Gras World, overlooking the last stretch of the Mississippi River as it winds towards the Gulf of Mexico. Making my way towards the Float Den, I observed the adjacent Ballroom Stage, merchandise tent, and vendors, anxiously waiting for the sun to go down and the festival to light up. K?D was performing at the Float Den, essentially a large warehouse at the back of the festival, which would serve as the hub for bass music that weekend. After K?D wrapped things up, San Holo took the stage. At the same time, security guards drove through the crowd with two large industrial dehumidifiers towards the Float Den stage. The bass-heavy music of the Float Den got the crowd quite energetic. Combined with the large crowds that the Float Den attracted and the mediocre airflow of a mostly-enclosed space, the Float Den got hot and sweaty.
As the sun dipped lower in the sky, the Float Den turned up the energy. TroyBoi threw down a performance as gnarly as the air in the room—heavy bass combined with smooth transitions and seamless mixing. Looking for a reprieve from the heat, I found Opiuo at the Ballroom Stage, an indoor stage with much-needed air conditioning. The Ballroom was dimly lit with minimalist lighting and an electroluminescent wire chandelier that set the tone of room. The environment proved suitable for hula-hoopers looking for room to dance, and people just looking to soak in the sounds of the music without being distracted by the lights or crowds.
After Opiuo, I made a quick stop to see Whethan at the Back Alley stage, literally a back alley, tucked away from the madness of the rest of the festival. The Back Alley served as the home for House and Techno, with an illuminated gazebo viewing area for those wanting to escape the crowds. Friday night, the Back Alley saw performances from artists like Clams Casino, and a Shiba San B2B Justin Jay set. Unfortunately, Nora En Pure would miss the festival due to issues with her flight.
On the way back to the Power Plant, I stopped in to catch a bit of Slushii, who was throwing down some wonky beats at the Float Den. After a quick listen, I continued to one of the main attractions of the weekend—the funky and saxy Grizmatik, whose saxophone sounds complemented the local New Orleans music scene. After Grizmatik, I split my time between two of the closing performances: a packed Zeds Dead show at the Float Den and a more chill and groovy set by Shiba San & Justin Jay at the Back Alley.
The second day saw light precipitation and a drop in temperature, a welcome treat to cool down the crowd. The Float Den continued its bass theme with early performances by Minnesota B2B Space Jesus, the alien-esque Rezz, and the mystery man, Malaa.
Back at the Power Plant, Tycho (Live) put on an incredible melodic sunset performance, accompanied by the design and photographic visuals of Tycho’s primary composer, Scott Hansen, also known by his design alias, ISO50. The strong hues of magenta and red complemented the sky as the sun dipped below the horizon.
Jumping from stage to stage, I spent more time hanging out at the art carts. BUKU creatively utilizes art carts, which are smaller in size compared the larger art cars seen at bigger festivals. Pedicabs and shopping carts adorned with lights, speakers, and DJs made the rounds at the festival, giving attendants a chance to stop and take a quick dance break in between stages. Or, if the music caught your ear, a quick dance break would turn into quite a long one.
I jumped between performances of Lane 8, Cashmere Cat, and deadmau5, all masters at building musical tension, and then releasing it in a dance extravaganza. deadmau5 performed in his signature style—long build-ups in the beginning making way towards more intense music towards the end, often accompanied by some trolling on the mic. He apologized for not having his signature Cube stage display, and then made a plug for his afterparty, exclaiming “I hope you like techno.”
Back at the Float Den, the mysterious Zhu closed out the night. Starting with minimal lighting effects, his performance turned the Float Den into a dance hall as his set progressed, and with it, the lighting intensity. He jumped on the mic several times to perform vocals for his songs, a signature characteristic of his producing and DJing style. Zhu’s performance was a flawless way to end the weekend—an intense dance music experience that is simultaneously low-key, a perfect embodiment of BUKU Music + Art Project.
After a successful inaugural year in Downtown Atlanta, GA, Shaky Beats Music Festival will return this May 5-7, 2017. This year’s event will see the likes of RL Grime, The Chainsmokers, Griz, Zeds Dead, Kaskade, Gramatik, Bonobo, Galantis, Alison Wonderland, Claude VonStroke, Mija, and more.
Tickets are available for this 18+ event with General Admission tickets going for $165 (not including fees) and VIP tickets going for $399 (not including fees). Single day tickets will be available closer to the event. For all ticket purchasing options, check the ticketing website. For those of you attending the festival, make sure to check the festival information to be properly prepared for the event.